haitian musician

Behind the Scenes... F21 Shoot with Haiti Design Co

=

Behind the scenes of our F21 shoot at @galeriemonnin in Kenscoff Haiti ✨

@njoachim’s album “Fanm D’Ayiti” is a household favorite of ours and we were over the moon when it aligned for her to be a part of this shoot with us in Haiti. Her work so beautifully weaves together Haitian tradition, cultural icons, classical arrangements, and soul grooving beats.

This behind the scenes clip of @faily.makeup and @njoachim features the iconic “Legba Nan Konsole” from the album. When asked why Nathalie decided to cover this song this is what she shared-

“This was a song that Emerante de Predines sang. I paired it with Maman m voye m peze kafe (another song of hers). Both songs brought together a crucial message: one that demonstrates Emerante's own strength in bringing forth the story of ordinary people trying to go about living their lives in Haiti but meeting obstacles that are meant to be accepted without question, and all the while needing to have faith that Legba (a spiritual connector and communicator) will care for them in the presence of their struggles. The story is all too familiar in Haiti's current landscape, as is the need for continued faith.”

Getting to know Paul Beaubrun

We had the honor of chatting with the talented musician, Paul Beaubrun, back in April. Originally this interview was going to be focusing on Paul’s Haitian American experience, but organically it turned into a conversation about much more. Paul is the real deal. Genuine and humble as they come- full of wisdom and grace, gratitude for his roots and connection seeking with humankind. He is not only a mega talent in his own right, son of the iconic Boukman Eksperyans, but also a beautiful soul.

Enjoy!


My name is Paul Beaubrun. I’m born and raised in Haiti. I was raised in a musical family, Boukman Eksperans. My dad, my mom, my uncle, my aunt, my cousins- they all created a band and I was lucky, my brothers and my sisters- we were raised in that family. And now I live in NY. My first memories of American culture was how direct things were, there was such an energy. When we first got to America we were in New York, and you can imagine, there is such an energy, an electricity, things are moving, moving. I liked it- I liked the fact that things were moving, I have that also in my personality. I loved that things were happening there. I was very engaged in that, that’s my style. I remember when I was young, I used to go to the city- to Manhattan. There was always something there that I loved. It’s not that I don’t like Brooklyn, Queens, I love those areas, but there was something on this island when I’m in Manhattan or Harlem. There is a history there that I really loved, I loved the energy there. That’s one of my first memories when I got to America. 

As I grew up, the parts of Haitian culture I felt so proud of were all the types of expressions in our culture. In our music, food, style, dance, paintings. In our culture I love the expression. I think the expression of Haitian culture is so unique- and at the same time you can see how Haiti has touched so many places in America. When it comes to art, to dance, especially music. When you go to New Orleans you feel it, you feel the creole, you feel us there, and I’m proud of that. 

If I could reiterate anything to my younger self it would be don't take anything seriously. There's a lot of wisdom in that. It doesn't mean do not commit and doesn't mean when you do something, you don't do it seriously. I would tell my younger self, listen, don't identify yourself with the result, no matter what that is. Don't identify with it. Just accept whatever happens, happens, but keep going, you know, keep going. Don't take it too seriously. Keep moving, keep going.

People were very mean to me in the beginning, because they expected me to be great. You know- “You're not this, you're not that, it should be this. You should do that.” In the beginning it was a struggle for me because I was like, “Oh my goodness. I'm just learning”. Even though my parents play music that doesn't mean I'm going to be great at it, you know, right away. Give me a minute. They expected me to be amazing, and everything has to be impeccable, and it's not like that. And that was hard for me. 

The biggest lies that I see need to be decolonized about Haitian culture is around Haitian Vodou. The fact that most people here think it's evil, you know? They just don't have enough information here. I think the best way to learn the truth is to go to a lakou.

When people want to know how to meditate, they go to India or make a trip. They travel there and they come back. They get something from it and they're not scared, they go with an open heart. I think it's the same. If you are interested, you need to go and introduce yourself. Talk to the people responsible, ask them questions, they will tell you. And if you're genuinely interested, you will get your information. You will get what you need to introduce it to your kids, your children and make it a normal thing.

Not like- “oh my God, what is this?” No, it shouldn't be like that. It's a cultural thing. It's one of the most innocent ways of living. It's a way of being. There's a lot of wisdom in it. For example, when you go into a lakou, in Haiti, where I live, you're not allowed to cut trees. You're not allowed to kill animals and you're not allowed to put trash on the floor. You have to protect the rivers. When you walk inside the lakou, we say hi to everyone. It's all about respect to your environment, respect to nature, respect to people. It's simple, but there's a lot of wisdom in it. There's a lot of things in Haiti you don't see enough, but we still have it. When you go to the rural area in Haiti you still feel it. That's what we have, that's important. 

When you have the chance to see many different cultures, it’s a chance to see where humans are connected. When I'm looking at the Haitian culture, American culture, in Brazil, anywhere, I'm looking for the connection. You see it is a human expression of many different places, like a big flower, you know, this is human expression- And it's one to me. I would say my ability to see that and always try to bring that through art, to music, to many different styles of music and bring it together- that would be my superpower. You know, I always try to see that. 

The biggest thing from all the cultures in my experience that I want to hand down to my kids is respect. You have to bring respect at the forefront, and compassion. For example, if I go somewhere and I see a lot of people playing music, and I don't know them, let's say I don't know the culture at all, for me, I would say, don't jump in it right away, you know, because you have to let it be respected. Give it a moment. Appreciate what you are looking at first. And then little by little, you will feel yourself into it. And the power will invite you to come in. You’re probably gonna have a conversation with someone. You never know what is going to happen, but always let some things breathe and have respect for everything anywhere that you go. 

The evolution of my music- it's always been in my head, but now I feel like I'm mature enough to find it. I'm finally at the point where I can play exactly what I had in my head. And I'm happy about that. That's the evolution for me in terms of the artist that I am today, that I'm able to play what's in my head and I'm able to express myself fully and a hundred percent. I know who I am in terms of a man and in terms of a musician, in terms of a human being, and you will feel that in the music.

I'm working on many different projects right now.  I'm working with Michael Brun, he is producing my whole album, my solo album. If anyone doesn't know Michael Brun please go check him out. He is one of the greatest producers and is like my brother too, we are like family. He has a good sense in music, which I love, and we have a great connection. He’s producing the whole album for me, it's almost done. And then I was just in Haiti earlier this year and I did a live virtual show for WXPN in Philadelphia with NPR, which they put out in May. We were also able to record an EP from that show with a good friend of mine, an amazing drummer and musician, JohnBern Thomas and many other musicians. We are putting an EP out together from that show. And then I'm working on a project with someone who's doing poetry, her name is Tico Armand. She looks like a goddess, I'm not joking. We're doing a poetry project together and we did some pictures together. I've never worked on anything like that,  it is going to be interesting to finish this project. And then I'm working on a couple singles with GA3TAN and Kabysh. GA3TAN is going to blow up real soon because he's one of the most talented DJs and producers. .So a lot of things happening and things are moving together. 

QUICK DIVE:

Do you identify as Haitian American?

No, I don't. I identify as a human being, and then from a human being, we can go deeper than that if you want, it depends on the conversation we're having. But first I identify as a human being or a child of the universe. I don't even identify as Haitian, I know I'm Haitian, I know where I come from. I love everything about where I come from. But from reading, from thinking, I see that we are more than our identity and we are more than that. So I tried to connect with people like that through more of their identity. 

Who have been your top three inspirations as an artist?

My parents; they were the first people that I saw. And because I can feel them in everything that I'm doing. And the second would be nature. I love nature. I love walking to the mountains, the birds, trees. When you go inside a mountain, you see a waterfall, you see a river. I love things like that, they inspire me a lot. And the third would be listening to a lot of different kinds of music. The serendipity sometimes of listening to someone that you didn't know at all and then they just blow you away. To me, that always sparks a lot in me. That's a big inspiration for me. 

What is your inspiration for your style of fashion?

I have always loved style. I can say my style is more vintage because that's all I do. I walk into a lot of vintage stores. I love looking for things that have substance in them. 

Where do you tend to find yourself most in your creative flow? 

It can be anywhere for me, but there's a couple that I've been seeing lately. When I'm in the shower something will come clear to me or when I'm on the airplane. I've written songs on the airplane. I'm so focused when I’m in the air, it just happens to you. 

What’s been the highlight of your career so far?

It's been a blessing to meet many different people from many different places. To perform with many different musicians. Meeting Arcade Fire and performing with them,  Jackson Browne, touring with Ms.Lauryn Hill, Michael Brun. A lot of Haitian musicians that I've admired for a long time, now I’ve had a chance to work with them. There's so many little pieces that come together to create that to me. It's more about the whole journey, but the highlight would be the excitement of being out there. And now we are connected, and I'm discovering your work and I love it. To me, that's a highlight. 

If you could share a message with Haitian American elementary students, what is the most important thing you'd want them to know? 

This moment that we're living now is such a great moment, it's an opportunity. It's an opportunity for Haitian Americans, an opportunity for black people that didn't have an opportunity back in the day. Just be yourself and take the chance now to just be yourself and create.

What was on your mind when you were writing “Oh, Mama”?

You know when you’re at the edge of knowing yourself fully and you get a little bit frustrated because you know intellectually, mentally you’re there? Sometimes the intellectual, the mental makes you suffer. You’re thinking too much, you’re not living it. So I think at that time that’s where I was. I knew I had a lot inside to say but I couldn’t say it yet, and I think that’s what in that song it felt like.

To stay up to date with all of Paul’s projects and tour dates, make sure to follow him on IG @Paulbeaubrun and check out his website- PaulBeaubrun.com


We had the pleasure of shooting with Paul in preparation for our Brooklyn Circus x Haiti Design Co product launch. Click on the link below to check out the whole limited edition collection of hand-stitched leather essentials.

New Collection COMING SOON!

NEW COLLECTION DROPS 7.1.21

We cannot wait to share this new collection with you all!

Here is a sneak peak of what’s to come and a glimpse into our behind the scenes F21 shoot!

Photos & Video- Ayasha Media

Makeup- @failymakeup

Models- Nathalie Joachim & Kavakia Laguerre

Music- Featuring “Papa" Loko” on Nathalie Joachim’s Grammy nominated album “Fanm D’Ayiti”